TUNING TOGETHER IN UNITY

We went to the symphony the other evening.  It was an incredible performance, featuring a 29 year old pianist from France.  Both of us were mesmerized by her awesome talent and by the way she and the orchestra mixed and matched each other, with their musical lines intertwining into a beautiful tapestry of sound.

Listen here to “Viam Dei” composed and directed by Jeff Lippencott on the album “Glory to the Holy One”.  

You will notice that each instrument plays a critical part in the overall musical score.  None is wasted.  Some are louder to be sure, but even the little triangle can lend its tone to the beautiful message being created by the entire orchestra.

But, although I have been to a number of concerts over the years and have always seen this happen, what struck me the other evening occurred before the conductor stood on the platform and raised her baton.  It even occurred before the conductor was on the stage. 

As the instrumentalists arrived on stage, they warmed up by practicing various points in the music for the evening, each one running through spots that likely caused problems for them.  The result was a cacophony of sound, not a unified melody or harmonic chord.  The Concert Master, the title for the musician in the position of first chair violin, walked onto the stage and the musicians stopped, silence – no sound from the orchestra. 

oboeThe Concert Master pointed to the oboe player and a clear, pure tone was heard wafting over the instrumentalists.  The various instruments were then tuned to the tone of the oboe.

Whether or not that tone was pitch perfect somewhere else was relatively immaterial (although I suspect it would have been on pitch anywhere, given the skill of our musicians).  The point was, it was to be pitch perfect here, at this point in time, so the musicians tuned their instruments to that pitch and that pitch alone. 

No one said “I’m going to use my pitch!  It’s better!.”  If that had been the case, there would have been discord among the instruments.  All of them needed to be tuned to the same pitch so that the resulting musical presentation would be in harmony.

Later, when a piano was rolled onto the stage for the featured instrumentalist to use for her Concerto, the Concert Master played a note on the piano and the orchestra tuned to that instrument.  After all, it would not do to have the instruments tuned to the oboe if the oboe was not in tune with the piano. 

As I was listening to the musical presentation, which was incredible by the way, I was thinking about how each of the instruments blend together to create the glorious music which we were experiencing. 

orchestra

How like the Church, the Body of Christ.  Scripture teaches us that we are to work together.  We all may have different gifts, talents, interests, abilities – but we are all part of the same Body and our role is important.  Remember the triangle – the percussionist who plays it plays a number of other fascinating instruments in the percussion section and the triangle is by no means the most important one.  But, somewhere deep in the midsection of the piece, there were two measures where the triangle was called for.  He stood and the little triangle was held high, struck the appropriate number of times, and then returned to its hook (or whatever it hangs on) until the next time it was needed.

The instruments that required tuning were all tuned to the same pitch.  In the Body of Christ, each believer in the Lord Jesus Christ is to be tuned to the same pitch as well. 

  • Each and every one of us is to look to the Word of God, the Holy Bible, as the message we are to proclaim. We read what Jesus said and what we are to do in the Scriptures, so it is imperative that each of us knows the Bible and that we each study it as our guide for living the life God desires.
  • Each and every one of us is to look to the Holy Spirit for our guidance, for our message, for our strength and for a proper understanding of the Scriptures.

Remember that Jesus said He would send the Spirit to be with us:

“But the Helper, the Holy Spirit, whom the Father will send in my name, he will teach you all things and bring to your remembrance all that I have said to you.”

John 14:26 ESV

How would my life be changed if I tuned myself each day to the Scriptures?  How would my church be changed if each member tuned themselves each day to that which the Holy Spirit directed them to say and do?  Unity of mind and of purpose is desired and of paramount importance throughout the Scripture.

“A Song of Ascents. Of David. Behold, how good and pleasant it is when brothers dwell in unity!”

Psalm 133:1 ESV

“Finally, all of you, have unity of mind, sympathy, brotherly love, a tender heart, and a humble mind.”

1 Peter 3:8 ESV

And in Ephesians 4 Paul writes that believers should walk worthy of the calling to which they have been called. 

How is that walk? 

We are to live with humility, gentleness, patience, bearing with one another in love, because we are eager to maintain the unity of the Spirit in the bond of peace.  There is one body, one Spirit, one Lord, one faith, one baptism, one God and Father of all, who is over all and through all and in all.  Ephesians 4:1-6.

oboe

This week, remember the orchestra and the oboe.  Tune yourself with the Scriptures and walk in faith in the unity and bond of peace with your brothers and sisters in the Lord.

 

Father, enable me to tune my heart to the tone of the Holy Spirit so that I will reflect the image of my Lord and Savior.  May my life be fueled by the Holy Spirit and may I walk in Your way, today and each day that You give to me.

A CHIME IN THE DARK NIGHT

We are fortunate to live in a city that has an incredible symphony orchestra and, as a result, we have ready access to classical concerts, pop concerts, chamber music concerts, etc.  Last year we had tickets to the classical concert series.  I love to listen to the orchestra in a live performance – it is a real treat.  But I don’t know what to expect just from reading the advertisement for the concert.

We arrived at the theatre and found that the program was three selections, all written in the 1800s by persons of whom I had no knowledge, given my relatively insufficient knowledge of composers and their works. The concert was in late October so the selections had a Halloween theme.

The first selection was A Night on Bald Mountain written by Modest Mussorgsky, a Russian born composer who was born in 1839.  The work is based on a Russian legend describing the witches who go to Bald Mountain the night before the feast of St. John the Baptist.  While there, Satan comes and it becomes a night of passion and frenzy.

A Halloween Costumed Devil
A Halloween Costumed Devil

(The picture is not from the concert but, rather, is a Halloween costume one of my grandchildren wore a number of years ago.)

The program notes included an explanation, written by the composer himself, detailing what to expect in the performance.

So far as my memory doesn’t deceive me, the witches used to gather on this mountain, gossip, play tricks and await their chief – Satan.  On his arrival, they, i.e., the witches, formed a circle around the throne on which he sat, in the form of a kid, and sang his praise.  When Satan was worked up into sufficient passion by the witches’ praises, he gave the command for the Sabbath, in which he chose for himself the witches who caught his fancy.  – So this is what I’ve done.  At the head of my score I’ve put its contents.

  1. Assembly of the witches, their talk and gossip.
  2. Satan’s journey
  3. Obscene praise of Satan and
  4. Sabbath.

If the work is performed, I wish this program to appear on the bills for the enlightenment of the audience.

[From the Program Notes by Ken Meltzer, The Knoxville Symphony Orchestra program for the concert on October 17, 2014 entitled Symphonie Fantastique, Sameer Patel, Conductor.]

The orchestral work ranged from fluid and enticing to frenetic and frenzied.  The entire orchestra was involved; violins, woodwinds, two harps, brass, and of course there was, my personal favorite, percussion!  What struck me, however, was that just before the end of the piece, chimes were struck, clear and sharp.  The chimes pierced the frenzy of the scene and peace came in their wake.

The program noted that “At the height of the Sabbath, a distant church bell sounds.  The spirits disappear, and A Night on Bald Mountain concludes with the arrival of dawn, and the return of peace.

Sunrise at Sea
Sunrise at Sea

I have attached this link to a YouTube post by The Wicked North which is a performance of part of A Night on Bald Mountain, this clip coming at the height of the Sabbath toward the end of the piece.  The YouTube clip is a little over 9 minutes long, but at 7:20 on the clip you will hear the change in the music following the ringing of the chimes.

As I applauded the skill and talent of our orchestra in its rendition of A Night on Bald Mountain, I thought of the symbolism in the music.  It was a beautiful reminder that our Lord is supreme.

We need to be reminded of this as, in our own country, innocent people have been killed, just in the past month, as they prayed in a Charleston, South Carolina church, they did their assigned duties at the Marine and Navy centers in Chattanooga, Tennessee, and they watched a comedic movie at a theatre in Lafayette, Louisiana.

Clearly, Satan has his way in the world [Ephesians 2:2], but we know that the ultimate victory belongs to the Lord Jesus Christ.  The Apostle Paul said in 1 Corinthians 15:55-56:

“Oh death, where is your victory? Oh death, where is your sting?”  The sting of death is sin, and the power of sin is the law.  But thanks be to God, who gives us the victory through our Lord Jesus Christ.” [ESV]

Oh that we would live our lives hearing the bell’s chime through the din of the world’s clamor.

Oh, that we would live our lives in a manner that we would be like a bell chiming out the love that the Lord gives us for this fallen world.

Oh, that when people meet us, they would see Jesus.